About 若姫劇団 WAKAHIME
若姫劇団 (WAKAHIME) is a creative company presenting contemporary drama, human-interest plays, period drama and dance-and-song revues. Alongside our own stage productions we appear in theater and screen work, and take on supervision, direction and event production. Rooted in Japanese classical dance and drawing in song, dance and comic storytelling from every tradition, we make theater where performers and audience become one — for every generation.
Lead & Vice-Lead

愛望美 (Ai Nozomi)Company Lead
Born in Ibaraki. Joined 若葉劇団 in 1997 and trained through tours across Japan before founding 若姫劇団 in 2010. Known as 谷根千の愛姫, she sustained a monthly residency in Yanaka, Tokyo, and plays male and female roles alike. A frequent choreography and acting coach for network television drama. Trained in Japanese classical dance, traditional movement and kimono dressing.

愛美萌恵 (Aibi Moe)
Vice Lead
Born in Saitama. Studied classical ballet from the age of three and performed with a ballet company, then read dance and music across genres at an arts high school. After appearing as a backing dancer on programmes including 年忘れにっぽんの歌, she joined 若姫劇団 in 2011. Trained in classical ballet, dance, Japanese classical dance, traditional movement and kimono dressing.
Credits & History
From choreography coaching and production supervision for television drama, to theater runs and community events — a record of the work so far.
- 2009–2016
- Monthly residency in Yanaka, Tokyo
- 3,700
- Total residency attendance
- 全国座長大会
- Annual invited appearances
Productions
- 2010若姫劇団 founded by company lead 愛望美
- 若姫劇団 resident production 歌舞華夢シアター (KAMUKAMU THEATER) — special stage, Minako Honda Memorial Hall
- 2009.12–2016.6Monthly community taishū-engeki residency at 戸野廣浩司記念劇場 in Yanaka, Tokyo (3,700 total attendance). A two-part bill of drama plus dance-and-song revue, with an all-women company playing both male and female roles.
- Regional tours and performances at hotels, hot-spring resorts and other venues
- Nationwide appearances in productions produced by 沢竜二 (Ryuji Sawa)
- Annual invited appearances at the 全国座長大会 (National Company Leaders' Convention) — 浅草公会堂, 新宿文化センター and other halls, alongside dozens of stages a year.
- Shared the stage with 中村美律子, 林与一, 佐野浅夫, 大出俊, 小西良太郎 and others
- Signature works — お吉物語, 瞼の母, 文七元結, 一本刀土俵入り, the solo play 湯島の白梅, plus original pieces
- Notable roles — お蝶 in 大暴れ次郎長一家, 駒形茂兵衛 in 一本刀土俵入り, お市 in 鯉名の銀平 雪の渡り鳥, お里 in 旅鴉 弥太郎懺悔, and more — across both male and female parts.
- Japanese classical dance instruction and cooperation — 西川扇力恵, master of the 西川流 school
Direction & Supervision
- 2023.12劇団1980 — 座長っ! (written & directed by 河本瑞貴, 俳優座劇場 / Haiyuza Theatre)
- 2019.5方の会 — 節子〜愛の永遠性を信じたく候 (written by 平山陽, directed by 狭間鉄, 築地本願寺ブディストホール)
- 2018.12方の会 — 帯を解いた京女たち (written by 若葉トシヒロ, directed by 狭間鉄, 築地本願寺ブディストホール)
- 2010.12いっぱち屋 — 三下 (written & directed by 河本瑞貴, タイニイアリス / Tiny Alice)
Television
- 2018TV Asahi — 明日の君がもっと好き: dance-scene choreography coaching; supervision of stage, dressing-room and make-up scenes; costumes, props and wigs supplied. Also appeared on screen.
- 2017TV Asahi — トットちゃん!: dance-scene choreography coaching; supervision of stage and dressing-room scenes; costumes, props and backdrops supplied. Also appeared on screen.
- 2012Fuji TV — 鈴子の恋: acting coaching for the play-within-the-play and dance-scene choreography; supervision of costume, make-up and props for stage and dressing-room scenes; costumes, props and wigs supplied.
- 2020.10–Gifu Broadcasting (ぎふチャン) — 辰巳彰のザッツ炎歌, recurring appearances
- 2022.10–2023.3TV Saitama — 辰巳彰のザッツ炎歌
Stage Appearances
- 2020.1純喫茶せつな, inaugural production led by 高野浩幸 (written by 平山陽, directed by 高野浩幸, 新宿スターフィールド) — as the café proprietress
- 2019.5方の会, 64th production — 節子〜愛の永遠性を信じたく候, as the mother
- 2018.12方の会, 63rd production — 帯を解いた京女たち, as the brothel mistress
- 2015方の会 — われ泣きぬれて〜石川啄木〜
Music
- 2022白い小径 (available on DAM and JOYSOUND karaoke)
- 2018熱田湊は恋の宿 / 南部坂・雪の別れ
